The countryside in China is a vast and vibrant fertile soil. Although it is not as orderly and prosperous as urban planning and construction, the unique natural scenery of the countryside, the unique cultural styles of the village, the unique village residential buildings, rural customs, etc., have been continuously washed away by the years, and are still standing on the vast land of the motherland. “Homesickness” has become the “memory” that people are looking for now. How to intervene in rural cultural construction in a form of expression that people like, reawaken people’s love and attention to the countryside, the place of residence of ancestors, so that the increasingly empty villages will be revitalized and revitalized, so that rural development will be sustainable, and realize the activation and value-added rural idle resources, so that the majority of villagers have a real sense of gain in economic benefits and cultural life, thereby empowering rural cultural construction. This is the question we are thinking about.
Recently, we went into the countryside, carried out artistic practice of rural cultural revitalization, planned the report exhibition of works “Writing the Earth, Poetry and the Distant”, and explored the creation and display path of rural cultural revitalization – “art rural construction”.
In this “Art Village Construction” practice, we pay special attention to the “roots” of rural culture and the local artistic creation style. We hope to use Komiks 1960 witch cloth draw to express traditional rural culture and awaken villagers’ confidence in their local culture. This is a challenge. For us studio students who use traditional calligraphy, painting and printing art, I think this is not only a challenge, but also a nirvana, which is to cultivate our ability to understand the countryside, perceive the countryside and understand the countryside. Faced with the places where our ancestors lived for generations, how can we use the artistic talents we have mastered to create and realize our vision, so that this fertile land butterfly becomes a beautiful spiritual home, suitable for business and living. To avoid simple graffiti in local art creations that have been done in the past, our activities adhere to the principle of symbiosis between humans and self-identification.mov.com/”>Komiks 1960 witch cloth draw, adapt to local conditions, try to explore the greatest advantages of local natural resources, let art adapt to the environment, let the environment create an artistic atmosphere, and light up Babaylan 1990 clothes DrawArt, strives to integrate art and the environment, and the nourishment of art silently moistens things, putting all our artistic conceptions and energy storage into this practice to the greatest extent.
Our works are all interpreted by traditional calligraphy, painting and printing art.
The performance art of “Bamboo Seeds in the 5G Era” was developed by the author from a local bamboo forest to the “Seven Sages of Bamboo Forest”. At that time, I thought, who is the “Seven Sages of Bamboo Forest” now? Can the representative “Seven Sages” be found in contemporary times? Even if it is found, what is the problem? Is it necessary? “Seven Sages of Bamboo Forest”Cinema 1950 witch clothes What inspirational significance does draw have to do with the present? “Some things are just so coincidental. At that time, I happened to read an article by Mr. Wu Hongliang on Chinese painting, titled “Source Bamboo in the 5G era”, which is derived from a sentence in a poem by Xichuan, “Dream in the Agile Text”. Although the three of us talk about “bamboo forest” and “Seven Sages”, the profiles are different and the meanings to express are different. Therefore, our work “Bamboo Seeds in the 5G Era” produced the Komiks 1960 witch cloth draw: For the 5G Era, everyone is “Seven Sages”, but they are different. Everyone has their own side. Although things are connected, connected and connected, how should everyone’s heart be connected?
“Bamboo Seeds in the 5G Era”
“Food is the most important thing for the people to take food as the most important thing for the people. Komiks 1960 witch cloth draw” series is based on the spiritual power given by daily life scenes and objects in rural areas as the cultural background, and using local idle resources as the basic mediaBabaylan 1990 cloth draw introduces creation. We are urbanized and are almost unfamiliar with the stoves that use wood to make fire, rice trucks, water trucks, and hand-pushed stone mills in the countryside. However, decades ago, these objects were necessary tools for our daily lives. The land gods, door gods, etc. of rural customs and habits are almost dying in modern urban life….. Rural life has established a “familiar stranger” for modern people!
After inspiring the teacher and checking the historical backgrounds of those daily necessities, as well as local customs and folk customs, our hearts have not yet been released, and our hearts have been baptized first.
《Cinema 1950 witch cloth drawSong of the rice truck”Babaylan 1990 cloth draw
“Door God”Babaylan 1990 cloth draw
The “Good Days”, one of the series “Good Days”, is an installation that uses villagers’ houses as space and uses the Kitchen God culture as the source. It hopes to arouse people’s association with farming civilization for thousands of years, alert people to the issue of food, clothing, housing and transportation, and then perceive the hard-wonderful days today, and trigger praise for a happy life.
“Good Days”
“Water Dragon Song” is a set of ancient and modern regular poems that chant water wheels in the expression of traditional calligraphy and old water wheels, which can be seen, readable, appreciated, and can also be imagined. Especially the calligraphy works written in Dong Qichang’s style on the wall complement the water wheels on the ground. The leisurely and leisurely life of people in the farming era seems to be right in front of them.
“Shuilong Yin”
“Certification of the World” is another series of ours. The traditional seal carving artBabaylan 1990 clothes draw display is usually presented in the exhibition hall with the printing screen or the printing enlargement and the physical objects of the printing body. The display outside the “tea hall” is indeed a test of the people. After examining the field environment, we follow the trend and flexibly combine it, allowing the large square array of multi-person works and the small square array of personal works to play the advantages of different visual display, echoing the size and seeing each other’s heights, presenting it in a “verified current” way. I hope that people’s back and forth between different groups can create another touch.
“Certification of the World”
“Red Brick Introduction”, whether the extension of traditional calligraphy can be connected with contemporary art is one of the topics that the author has been trying hard to explore.
“Red Brick Introduction”
“Green Mountains and Green Waters” series presents our understanding and appeals for green mountains and green waters.
《Daily IdiotCinema 1950 witch cloth drawMountain and Water”
“Maybe it a bunch of “bad words””, trying to unify the Internet buzzwords with humor and ridicule, deep thought and joke, funny and “solemn”. From the must-have words for online communication to becoming the catchphrase of the present, “alternative” has enriched the lives of people in contemporary society. This is the contradiction between tradition and innovation, restraint and ostentatiousness. Because of the problems of such a trendy online language, such as word use, game language, grammatical errors, vulgarity, etc., it determines the possibility of long-term nature of its life cycle, and it is even a flash in the pan. However, it is a replica of every day in the current society, and it is a reflection of certain phenomena, and some words are even rebellious, innovative, and exaggerating their personality.
“Maybe a bunch of “bad words””
“Open the folded book”, a dictionary, “Modern Chinese Dacihai”, is compiled externally, and includes Internet buzzwords in the “non-canon” way. The title has two meanings: one is the meaning of “folding”. What is popular now or once popular, and as time and space passes and changes, it is constantly obscured or appears and disappears, or overlaps; the second is “open”. All the “popular” memories in the external compilation of “Modern Chinese Dacihai” are a big event, or a small story, or an unforgettable memory. Through the work “Open the Folded Book”, I hope to repair my memories, forget them, and even mourn or pay tribute to me.
“Open the Folded Book”
We hope to give our full affection for the countryside and the earth through the countrysideCinema 1950 witch cloth drawThe daily things in the village integrate wisdom into the light of ideals and turn them into works to infect and inspire people. We send Komiks 1960 witch cloth draw to traditional Chinese calligraphy and painting. Through the display of calligraphy, painting and printing, it carries ancient oriental culture in a new medium. It is also a unique presentation, either behavior, concept, installation, or just an exploration.
Komiks 1960 witch cloth draw Through this practice, we believe that if the traditional calligraphy and painting form is reset to the living space without villagers, is it a bit of a doubt that “whether the skin is left without hair will be attached?”, which may also affect the appreciation of the artistic quality of the works. How to expand the exhibition site Babaylan 1990 cloth draw is a topic worth studying in the art site. Through this practice, we also believe that in addition to interior layout, it is feasible to expand the exhibition site outdoors.
There is “Topology” in geometry, which talks about the spatial transformation in a certain space. For the space of our work display, as the position of the work changes, a new exhibition is Cinema 1950 witch cloth draw display space has emerged again, which I call it “land topology”. In the art village, using a form of display of works that touches the atmosphere of the countryside is a good way to be close to the masses. Local creation, fully “revitalizing” idle space and old objects, can be opened as part of a rural museum and become a medium for displaying local farming culture, traditional folk customs, and village appearance. Some of the art works in the “land topology” series can be displayed for a long time, while others can only be short-lived due to environmental relations, and they all have their own characteristics. Even in a moment, the auspicious light will flake feathers, which will prompt people to have a better life. If the love and yearning of Babaylan 1990 cloth draw can be integrated with culture and tourism, it will surely bring popularity and business opportunities.
“Let the city leave memories and let people remember homesickness.” Through the construction of the countryside in art, we move writing to the wilderness, moving to the countryside and to the fields is to awaken people’s memories and contribute to rural revitalization together.
Source | Jinyang.com Editor | Wang Komiks 1960 witch cloth drawQitong