Li Yuandong was born in August 1964, a famous person in Mao, Guangdong. He is currently the president of Guangdong Calligraphy Court, a national first-class artist, a representative of the Ninth and Tenth National Congress of the China Federation of Literary and Art Circles, a director of the China Calligraphers Association, a member of the 4th China Calligraphers Association, a member of the Fifth, Sixth and Seventh Running Skills Professional Committee of the Chinese Calligraphers Association, a member of the Chinese Poetry Society, a member of the Ninth, Tenth, Eleventh and Twelfth Committee of the Guangdong Provincial CPPCC, a member of the Literature and History Committee of the Guangdong Provincial CPPCC, a librarian of the Guangdong Provincial Museum of Literature and History, and a vice chairman of the Guangdong Calligraphers Association. He was appointed as a visiting professor and graduate supervisor of many universities such as Guangzhou Academy of Fine Arts, Jinan University, Guangdong Technical Normal University, and Guangzhou University.
Calligraphy works won the second prize of the first national running and cursive script exhibition, and the sixth national calligraphy and seal carving exhibition of the middle-aged and young people; they entered the fifth, sixth, seventh and eighth national calligraphy exhibition, the seventh and eighth national calligraphy and seal carving exhibition of the middle-aged and young people, and the “Great Works of the Great Works” of 100 contemporary masters writing beautifullyKomiks 1960 witch clothes drawChina Calligraphy Nomination Exhibition, “National Backbone” celebrates the victory of the 19th National Congress of the Communist Party of China, the National Calligraphy Exhibition, the National Calligraphy Exhibition of 500 Calligraphy Quality Exhibition, the National Works of Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy
In September 2014, the “Traveling Eyes” Li Yuandong’s calligraphy art exhibition was successfully held. He was named the leading talent in Guangdong Province’s propaganda, ideology and culture in 2015. He was elected as the “Top Ten Figures of the Year of Chinese Calligraphy Cross-Century 2011”. He won the “Lanting Zizi Award” (one of the Three Nationals in the Country), “Contribution Award to Commemorate the 30th Anniversary of the Founding of the Chinese Calligraphers Association”, “National May Day Culture Award”, the “Outstanding Contribution Award” of the Guangdong Federation of Returned Overseas Chinese in 2009, the “Outstanding Organization Award” of the Guangdong Federation of Returned Overseas Chinese in 2010, and the “Guangdong Lu Xun Literature and Art Award”.
Enjoy the public welfare of calligraphy, cultivate calligraphy talents, and actively participate in volunteer service activities. In recent years, calligraphy works have been donated to more than 20 social charities and groups, raising more than 20 million yuan, and donating them all to charity; organizing and planning calligraphy talent training and calligraphy on campus charity activities, organizing and planning more than 30 national calligraphy sprint classes and short training classes, the sixth session of the calligraphy advanced research class of Guangdong Calligraphy Academy and Guangdong CalligraphyThe college’s calligraphy advanced study course has five teaching points (Shantou, Meizhou, Zhuhai, Maoming, Qingyuan) and the first calligraphy tutor class in Guangdong’s calligraphy world, which have trained more than 3,000 Lingnan calligraphy talents and achieved remarkable results; they organized calligraphers, calligraphy professors, doctoral students, and master’s students to visit colleges, middle schools and primary schools for more than 100 sessions.
As a representative of calligraphy artists who exchanged foreign countries, Komiks 1960 witch cloth draw, Australia, the United States, the United Nations Headquarters, Sri Lanka, Mauritius, South Africa, Canada, Japan, South Korea, Denmark, Germany and other places to attend calligraphy exchanges and promotion activities and write special topics on calligraphy art. Draw Lecture; published the “Series of Famous Contemporary Calligraphers – Collection of Calligraphy of Li Yuandong”, a total of six volumes, and five personal monographs; Guangdong TV, Hong Kong Asia TV, and Maoming TV respectively recorded special interview programs such as “Cultural Pearl River • Spring Breeze and Rain – Calligrapher Li Yuandong”, “Diligent Calligraphy Art and Mellow – Li Yuandong’s Art of Art”, “The Permanent Sees the Heart – Li Yuandong’s Calligraphy Art”, and “Li Yuandong’s Life in a Foreign Land” and broadcast it.
Regular script screen 236cm×52cm×4
Remembering Teacher Wang Chucai
Explanation:
Showing the poems of Lingnan Peach and Plum Spring, and the withered vines and ancient trees are innocent.
A life of knowledge is still far away, but the calligraphy world has not yet been revealed for 30 years.
You can understand the wonders of Binhong and the mountains and rivers, and you can follow Mr. Ruan’s temperament and relatives.
Specialize in studying and devote yourself to fame and fortune, and your art is vast and chaotic.
Shen Yi Junxiong, Strong and Honest
——A Brief Introduction to Mr. Li Yuandong’s Calligraphy Art
Western Chinese
Mr. Li Yuandong is one of the famous contemporary masters I have always paid attention to. There are two reasons for paying attention to him: one is the direction and pattern he represents in contemporary Weibei innovation; the other is his achievements and height in big-brand creation.
The stele was flourished since the Qing Dynasty and was vigorously promoted by Kang Youwei and others. It has flourished for more than a hundred years and has emerged in many famous masters. From Zhao Zhiqian to Sha Menghai, from Zhang Yuzhao to Li Shutong, there are diverse styles and unique styles. It has become a major calligraphy art school that is invincible to the calligraphy of calligraphy, which also shows that the stele studies do have inexhaustible artistic resources. However, since the late century, epigraphy has seemed to be silent, with few great masters and new styles being released. In the past four decades, Komiks 1960 witch cloth draw, the calligraphy name is Revival. However, compared with the enthusiasm of calligraphy and the achievements of seal and clerical studies, there is not much new in the stele.More creation less. Only Mr. Sun Boxiang can be regarded as the one who has established himself in the world. The most accomplished calligrapher of his successor is Mr. Li Yuandong.
Mr. Li Yuandong inherited his teacher and used “Shiping Gong” and “Zhang Menglong” as the basis, and used the clumsy and thick square brush as the style tone to express a melancholy charm. This is a distance from the Weibei masters since the Qing Dynasty, such as Zhang Yuzhao, Zhao Zhiqian, Wu Changshuo, Kang Youwei and others. But Li Yuandong showed his own characteristics on the basis of his master. There are mainly three aspects:
First, Li Yuandong’s approach is not limited to “Zhang Menglong” and “Shiping Gong”. It is not difficult to see that he has also practiced many Northern Wei tombstones and calligraphy of scriptures. The diversity of learning makes his brushwork richer. The use of the pen is based on the square pen and some elements of the round pen are added. Reduce the severity of the pen with the side tip and increase the harmony of the pen with the center tip, making the lines in his pen heavier and richer tension and connotation. Although this is also reflected in Sun Bolao’s writing, Li Yuandong is obviously more conscious, bolder, and more effective.
Cursive script screen 180cm×45cm×2
Looking from the horizontal, it looks like a ridge and a side, with different heights and heights.
I don’t know the true face of Mount Lu because I am in this mountain.
—— Komiks 1960 witch cloth drawSu Shi’s “Inscription on the West Lin Wall”, which Xi Jinping quoted in articles such as “Escape from Poverty, The Light of Eastern Fujian – A Brief Thought on Cultural Construction in Eastern Fujian”
Second, Li Yuandong’s Wei stele is unconventional, lively and lively, with no changes, showing a clear tendency to be in running script. The aesthetics of contemporary calligraphy are influenced by many aspects, showing a trend of breaking traditional barriers and integrating various styles into reference. For example, the cursive transformation of seal script and clerical scripts, etc. The Wei steles in history are for practical needs and are all Babaylan 1990 cloth draw regular script. How to integrate this style of calligraphy with other styles such as cursive script is an important topic facing contemporary calligraphers. Looking at the contemporary calligraphy world, many people have made useful explorations in this regard, and Li Yuandong is one of them. It is worthy of praise that Far East can accurately grasp direction and measurement with its profound skills and keen insight. Therefore, although his Wei stele has a strong sense of cursive style, it makes people feel just right and will never lose the characteristics of Wei stele.
Third, the Weibei calligraphy in the Far East has a very distinctive personality. This fully reflects the artistic concept of Far East writing about the heart with calligraphy. Although the Far East has profound skills, his calligraphy creation does not have the twists and pretentiousness of deliberately expressing his skills, but rather a kind of “heart and hands” that is both free and forgetful.omicmov.com/”>Babaylan 1990 cloth drawFreely. Everything is like flowing clouds and flowing waterCinema 1950 witch cloth draw, natural. This is a very high state.
Mr. Xuyu proposed the concept of “Jin Kai” a few years ago. What is “Jin Kai”? Of course, everyone will have different understandings. But I think using regular script to promote personality and subjective spirit should undoubtedly be the main meaning of “Jin Kai”. I think Mr. Li Yuandong’s Weibei calligraphy can be said to be a style of “Jin Kai”!
Since the revival of calligraphy, cursive script has made great achievements, with many famous masters and diverse styles. Especially for cursive script, which is known as the “crowned pearl of calligraphy art”, there are many outstanding masters. There are two examples of cursive script: Zhang Xu is the priest, with rich pen lifting and pressing, and a big opening and closing; Huaisu is the teacher, purely paving with lines, and the center is the dominant. Huaisu has many criticisms along the way, which is called “something different from the old”. However, Zhang Xu is rarely criticized along the way. What is a little regretful is that most contemporary people write big cursive scripts, and the priests are the ones who write big cursive scripts in the priest, and the priests are the ones who write big cursive scripts in the priest, and the priests are the ones who write big cursive scripts in the priest, and the priests are the ones who write big cursive scripts in the priest, and the priests are the ones who write big cursive scripts in the priest, and the priests are the ones who write big cursive scripts in the priest, and the priests are the ones who write big cursive scripts in the priest, and the priests are the ones who write big cursive scripts in the priest. Zhang Xu is fewer, because Zhang Xu is more difficult all the way. Mr. Li Yuandong’s cursive script belongs to Zhang Xu’s cursive script, and sometimes uses some square strokes of Wei steles, so his cursive script is very rich. Looking at his works, it is full of wild and unrestrained spirit of the Baccarat, but his brushwork is meticulous with the lifting and pressing of the brush, and every stroke is in place, without any vagueness. Mr. Liu Zhengcheng said that the cursive script of the Far East is between Wang Duo and Yu Youren. This evaluation makes sense. It can be said that his cursive script is as powerful as Wang Duo, Cinema 1950 witch cloth draw The pen is calm and solid, comparable to that of Youren.
Cursive script 220cm×100cm
Cursive script 220cm×100cm
Cursive script 220cm×100cm
Cursive script 10 years of celebration (Bingshen Fuzhou Exhibition)
Explanation:
Meeting eight Fujian (East Yue) together, and chanting together, and the same boat in the same boat for ten years.
The snow brings the firewood and the article are interesting to guests, and the sunny farming rain reads the art path.
The light throws away the dust and loves the fragrance and cannot be broken, and I have been looking for the reputation and reincarnation for a long time.
The pen is in the piano and the hill, and the love is connected to the sea and the dai year by year.
Weibei and Dajiao are two typesKomiks 1960 witch cloth drawThere is absolutely different style of calligraphy. To combine the two, the difficulty is OK.Imagine what I can imagine. But Mr. Far East advanced to the point of difficulty and successfully combined the two, and his style was very unified. Its Wei stele has obvious grass-like characteristics, lively and lively; while its large grass is Cinema 1950 witch cloth draw uses a pen that is solemn and vigorous, like drawing sand in the cone, and has a strong Wei stele interest. The combination of the two is so perfect and natural, I think it is related to the character of the Far East. Truthfulness, simplicity, generousness and grandness are the two prominent characteristics of Far Eastern personality. In his works, it is expressed as a unique and simple and generous style of personality.
Mr. Li Yuandong is by no means a craftsman calligrapher who can only write (although there are many such calligraphers at present). He has a very deep traditional cultural foundation. Far East sent me his ancient poem “ask for advice”, and I was very surprised after reading it. His poems not only have lofty ideas and fresh styles, but also have very strict rhythms and very standardized rhymes. What is particularly commendable is that the poems are elegant and novel in their lyrics and sentences, and are also very useful in various things. The Babaylan 1990 cloth draw posted by Babaylan 1990 cloth draw is precise and accurate, and is considered to be the best among contemporary calligraphers. For well-known reasons, people of the age of Li Yuandong have received less traditional education. Many famous calligraphers, even calligraphers who are well-known for their academics, show their timidity when writing ancient poems. And being able to achieve such achievements in the Far East must be the result of hard work and self-study. I once said: Chinese characters and traditional culture are the two cornerstones of calligraphy art, and if a calligrapher is missing, he will not be a qualified calligrapher. We are delighted to see that Mr. Li Yuandong has reached a good level in both aspects. Appreciating his calligraphy and evaluating his poems can’t help but be amazed by the contemporary calligraphy world that has reached such a height!
Mr. Li Yuandong is not only an outstanding calligrapher, but also an excellent calligraphy organization worker. In the years since he was in charge of the Guangdong Calligraphy Court, he initiated and organized many large-scale calligraphy activities with wide influence across the country, which have received unanimous praise from the national calligraphy community. At the same time, he also repeatedly invited contemporary famous artists to Guangdong to give lectures and preach, bringing the latest book information, academic dynamics and aesthetic concepts to Guangdong, which benefited Guangdong authors a lot.This has promoted the cultivation of calligraphy talents in Guangdong and the development of calligraphy career. At the same time, Far East is also enthusiastic about public welfare and actively participates in and promotes the cause of calligraphy serving the society. Using calligraphy as a medium to make good friends, Guangdong’s calligraphy charity has made it popular, thus winning widespread respect from society.
Liu Xizai’s “Book Summary” says: “High rhymes and deep affection, strong and noble spirit, and one cannot be written in a book without any lack.” He also said: “The books of wise men are warm and mellow, the books of heroes are calm and determined, the books of dissatisfied scholars are successful, and the books of talented men are beautiful.” The books of Far East are both talented and noble and noble, and they are exquisite and noble. With its unique personality, it stands out in the contemporary book forest!
Screen Script Screen 138cm×69cm×8
Don’t praise the good color, just leave the clear air to fill the world. ——The words come from Wang Mian’s “Ink Plum”, Xi Jinping quoted in his speech meeting with Chinese and foreign journalists on the 19th CPC Central Committee’s Political Bureau Standing Committee with Chinese and Foreign Reporter
The seminar on “The New Era of Hymns and the Spring View of Lingnan – Li Yuandong’s Calligraphy Art Exhibition” was successfully held
This newspaper reported On the morning of April 29, 2018, the seminar on the “New Era and Spring View of Lingnan – Li Yuandong Calligraphy Art Exhibition” supported by the Publicity Department of the Guangdong Provincial Committee of the Communist Party of China, the Guangdong Provincial Committee of the Chinese People’s Political Consultative Conference, the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphy Association, the Calligraphy and Seal Academy of China National Academy of Painting, and the Guangdong Art Museum. The seminar on “New Era Songs and Spring Looks of Lingnan – Li Yuandong Calligraphy Art Works Exhibition” supported by the media was held in Guangzhou.
Under the auspices of Zhang Guiguang, Chairman of the Guangdong Calligraphy Association, the exhibition and seminar were successfully held. More than 30 famous calligraphers, calligraphy theorists and calligraphy critics from all over the country, Wu Dongmin, Song Huaping, Mao Guodian, Liu Jinkai, Wang Chunxin, Zhang Xuguang, Zhou Junjie, Jiang Shoutian, Zhang Guiguang, Zhou Wenzhang, Zhang Ge, Yan Yiduan, Ou Guangyong, Lian Deng, Cai Shunong, Qi Gang, Li Shijun, Qiu Shikun, Qi Guhua, Wu Xue, Zhang Weidong, Wang Houxiang, Ni Wenhua, Fu Yacheng, Liu Yantao, Luo Yiqun, Wang Zhongyong, Chen Zhiping, Wang Zhimin, Lin Feng, Li Yuegui, Li Qingwei, Xu Hongji, Fan Chunqi, Jin Jijun, Chen Kai, Zheng Rongming and other experts at the conference expressed their insightful opinions, rich topics and enthusiastic speeches. Experts conducted in-depth discussions on the theme and content of the exhibition – General Secretary Xi Jinping’s allusions and Li Yuandong’s own writing and poems. The guests unanimously agreed that the theme of the exhibition is in line with the theme of the times and is an important attempt to practice the spirit of General Secretary Xi’s literary and artistic speech; Li Yuandong used the calligraphy creation concept of inscriptions and the integration of inscriptions and calligraphy, and the academic topics such as “Northern Inscriptions and Southern Inscriptions” that aroused this provided new inspiration for the creation of calligraphy in Lingnan and even the whole country.
Site of the seminar
“The New Era Hymn and the Spring View of Lingnan – Li Yuandong’s Calligraphy Art Exhibition” in GuangzhouThe East Art Museum was grandly opened
Guangdong News
This newspaper reported that on the afternoon of April 29, 2018, the Propaganda Department of the Guangdong Provincial Committee of the Communist Party of China and the Cultural and Historical Committee of the Guangdong Provincial Committee of the Chinese People’s Political Consultative Conference were the guiding units, and the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphers Association, the Calligraphy and Seal Carving Academy of the National Academy of Painting, and the Guangdong Art Museum. The organizer of draw, Guangdong Calligraphers Association and Guangdong Calligraphy Court are the organizers; the opening ceremony of the “New Era Song and Spring Look of Lingnan – Li Yuandong Calligraphy Art Exhibition” supported by the media was successfully held at the Guangdong Art Museum.
Li Yuandong’s thanks at the opening ceremony
The important leaders and guests attending the event were: former commander and general of Lanzhou Military Region Li Qianyuan, Komiks 1960 witch clothes drawFormer Vice President of the National Academy of Administration and Director of the Chinese Calligraphers Association Zhou Wenzhang, former Deputy Director of the Guangdong Provincial People’s Congress and Chairman of the Guangdong Federation of Trade Unions Deng Weilong, former Deputy Commander (Lieutenant General) Ouyang Jingu, former Lieutenant General Zhou Weimin, former Deputy Commander of the Southern Theater Command, Liang Suiqun, former Deputy Commander of the Chinese Calligraphers Association and former Commander of the Armed Police Corps Wang Chunxin, former Deputy Political Commissar (Major General) Zhang Zhonghui, former Deputy Political Commissar (Major General) of the Guangdong Military Region Dai Huan, former Deputy Commander of the Hunan Military Sub-district, former Komiks 1960 witch clothes draw Deputy Director (Major General) Xiong Yan, former Director of the Political Department of the Guangzhou Military Region, Huang Bin, former Director of the Teaching and Research Department of the National Defense University and Doctoral Supervisor (Major General) Yang Zhaoguo, former Director of the Military Mobilization Department of the Guangzhou Military Region Command, etc.
The guests outside the province include: Mao Guodian, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Jiangxi Calligraphy Association, Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hainan Calligraphy Association, Liu Jinkai, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hebei Calligraphy Association, Song Huaping, Vice Chairman of the Chinese Calligraphy Association and Vice Chairman of the Henan Federation of Literary and Art Circles, Li Shi, Director of the Chinese Calligraphy Association and Chairman of the China Calligraphy Media Group, Zhang Xuguang, Director of the Chinese Calligraphy Association and former Deputy Secretary-General of the Chinese Artists Association, Zhou Junjie, former Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Wu Xue, Director of the Chinese Calligraphy Association and Chairman of the Anhui Federation of Literary and Art Circles, Li Shi, Director of the Chinese Calligraphy Association and former Director of the Training Center of the Chinese Calligraphy AssociationKomiks 1960 witch cloth drawLiu Wenhua, Zhang Ge, director of the China Calligraphy Association and chairman of the Heilongjiang Calligraphy Association, Qi Gang, director of the China Calligraphy Association, deputy director of the running script committee, and chairman of the Chongqing Calligraphy Association, Wang Houxiang, director of the China Calligraphy Association and member of the cursive script committee, Liu Jingwen, member of the running script committee of the China Calligraphy Association, Fu Yacheng, member of the seal script committee of the China Calligraphy Association and visiting researcher of the China Character Museum, and Liu Yantao, member of the seal script committee of the China Calligraphy Association.
The guests in the province include: Jiang Haiyan, former deputy secretary-general of the Guangdong Provincial Government, Wang Yiyang, director of the Guangdong Provincial Department of Culture, Cheng Yang, director of the China Calligraphy Association and secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, Bai Jie, secretary of the Party Group and director of the Guangdong Provincial Radio, Television, Press and Publication Bureau, Liu Sifen, former chairman of the Guangdong Federation of Literary and Art Circles, Xu Qinsong, vice chairman of the China Artists Association and chairman of the Guangdong Federation of Literary and Art Circles, Fang Jianhong, director of the Guangdong Provincial CPPCC Literary and History Committee, Wang Shaoqiang, director of the Guangdong Artists Association, and formerly Guangdong Province Babaylan 1990 clothes The deputy director of the Organization Department of the draw committee, Lao Wenhao, former deputy director of the Guangdong Provincial Museum and famous scholar expert Wang Guichen, former vice chairman of the China Calligraphy Association and honorary dean of the Guangdong Calligraphy Court, Zhang Guiguang, chairman of the Guangdong Calligraphy Association, professor and doctoral supervisor of South China Normal University, Li Jinkun, chairman of the Guangdong Art Association and dean of the Guangzhou Academy of Fine Arts, and Guangdong Cinema 1950 witch clothes drawZheng Xiancao, deputy director of the Provincial Department of Finance, Zhang Ruwen, former deputy director of the Guangdong Provincial Department of Civil Affairs, Zhou Jun, deputy director of the Organization Department of the Guangzhou Municipal Party Committee, Chen Zhongqiu, former secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, Qiu Kejun, deputy secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, Lin Weijian, former president of the Guangdong Federation of Socialism, Tian Feng, former chairman of the Guangdong Federation of Social Sciences and director of the Provincial Committee of the Chinese People’s Political Consultative Conference, Wang Rongbao, former secretary of the Party Group and chairman of the Provincial Federation of Returned Overseas Chinese, Li Pengcheng, secretary of the Party Group and chairman of the Guangzhou Federation of Literary and Art Circles, Lu Chengzhong, former inspector of the Guangdong Federation of Literary and Art Circles, and propaganda of Maoming Municipal Party Committee. Minister Ni Qian, former chairman of the Shenzhen Federation of Literary and Art Circles Luo Lijie, former secretary of the Shanwei Municipal Party Committee Rong Tiewen, former secretary of the Qingyuan Municipal Party Committee Luo Yanqiu, former deputy secretary of the Qingyuan Municipal Party Committee Deng Guangrong, former director of the Cadre Department of the Propaganda Department of the Guangdong Provincial Party Committee Li Bin, Director of the Literary and Art Department of the Guangdong Provincial Party Committee Xu Yongbo, Director of the Literary and Art Department of the Guangdong Provincial Department of Culture Tang Guohua, Director of the Discipline Inspection Group of the Guangzhou Municipal Commission for Discipline Inspection Xie Liuqing, member of the Party Committee and director of the Guangdong Provincial Department of Justice Literary and Art Wu Jialian, Secretary of the Party Committee of Guangdong Provincial Vocational College, and Jie Ye, Secretary of the Party Committee and Director of the Guangzhou Municipal Local Taxation Bureau. Advisors of Guangdong Calligraphers Association: Lian Deng, Chen Chusheng, Ou Guangyong, Liang Dingguang, Zhou Guocheng, Zhou Shujian; Yan Yiduan, Director of the China Calligraphers Association, full-time vice chairman and secretary-general of the Guangdong Calligraphers Association, Qiu Shikun, Director of the China Calligraphers Association and Vice Chairman of the Guangdong Calligraphers Association, Vice Chairman of the Guangdong Calligraphers Association: Wang Zhongyong, Xu Hongji, Li Xiaoru, Chen ChunCinema 1950witch cloth drawBabaylan 1990 clothes drawSheng, Chen Qinshuo, Zhou Hanbiao, Qi Guhua, Lan Guanghao, Cai Zhaobo; members of the presidium of the Guangdong Calligraphers Association: Wang Zhimin, Wang Daoguo, Li Qingwei, Shen Yongtai, Chen Zhiping, Ni Kuan, Huang Zhixiong, Liang Xiaozhuang; Fan Chunqi, Vice Chairman of the Hong Kong Branch of the China Calligraphers Association, Li Feihong, Deputy Secretary-General of the Guangdong Calligraphers Association, Jin Jijun, Vice Dean and Master’s Supervisor of the School of Fine Arts of Guangdong Technical Normal University, and Wu Huiping, Deputy Director of the Scientific Research Department of Guangzhou Academy of Fine Arts; Representatives of legal media include: Jiang Shoutian, member of the Academic Committee of the China Calligraphy Association and deputy editor-in-chief of Calligraphy Guide, Li Yuegui, vice chairman of the Heilongjiang Calligraphy Association and president of the Youth Calligraphy Newspaper, Cai Shunong, chief reporter of the Art Newspaper, Zhang Xin, assistant president of the China Calligraphy Newspaper, director of the Editorial Center and editor of the China Calligraphy Newspaper, Liu Guang, editor of the China Calligraphy Newspaper, Wang Xin, director of the China Calligraphy Publishing and Media Office, Qi Yuxin, head of the Chinese Calligraphy Forum, and Che Dilin, editor-in-chief of China Calligraphy Network. Chairman and vice chairman of Calligraphy Associations in various cities in the province include: Wu Xuexiang, Feng Wenqin, Yu Naigang, Zhou Jun, Feng Yongsheng, Xie Jiahua, Zhang Babaylan 1990 clothes drawYulin, Zhang Wenfeng, Zhu Qiming, Song Huannan, etc.; celebrities in the social enterprise industry include: Feng Cinema 1950 witch clothes drawBai Qiao, Vice President of Ball Group, Liu Yuhong, Secretary of the Party Committee of China Petroleum and Chemical Corporation, Guan Pengcheng, Director of Jinan University, Liang Zhongjing, former deputy inspector of Guangdong Provincial Department of Civil Affairs, Huang Yiping, Deputy General Manager of Guangdong Zhongjun Entrepreneurship Service Co., Ltd., Yang Xiaoling, First Vice Chairman of Leshan Hall, Hong Kong Kowloon, Ye Jinfu, Founder of Guangdong Xingda Group Co., Ltd., Li Rirong, Chairman of Guangdong Rongji Group, etc.
Card script Zhongtang 248cm×129cm
The cultural fortune is connected with the national fortune, and the cultural fortune is connected with the national fortune.
——Xi Jinping: “Speech at the opening ceremony of the Tenth National Congress of the China Federation of Literary and Art Circles and the Ninth National Congress of the Chinese Writers Association”, People’s Daily December 1, 2016
The above guests, calligraphers and scholars from all over the country, professors, students, and calligraphy enthusiasts of colleges and universities participated in the full-day event.
The opening ceremony was Yan Yiduan and Guang, director of the China Calligraphy Association and full-time vice chairman and secretary-general of the Guangdong Calligraphy Association.Co-hosted by Sheng Nan, a famous host of East TV. Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association, Cheng Yang, Secretary of the Party Group of Guangdong Federation of Literary and Art Circles, and Zhang Guiguang, Chairman of the Guangdong Calligraphy Association, delivered speeches respectively. They all expressed warm congratulations on the successful holding of the exhibition, praised the content of the exhibition’s interpretation of classics, and fully affirmed Li Yuandong’s artistic attainments in calligraphy creation, poetry writing, etc.
Li Yuandong gave a thank-you speech, profoundly expounding his experience in studying General Secretary Xi’s Jin Yan and using allusions, and expressed his sincere gratitude to the times, society, teachers and good friends. While analyzing the exploration concept of the integration of creative content and inscriptions and calligraphy, he expressed his willingness to continue to work hard and unite with his colleagues, and make greater contributions to the development of Guangdong’s calligraphy world.
This exhibition is a link in the Guangdong Provincial Propaganda Department’s highlighting talent support and development plan. “Lingnan Spring View – Collection of Calligraphy Works by Li Yuandong’s Self-written Poetry Couplets” was published simultaneously by Lingnan Fine Arts Publishing House. Shen Peng, former chairman of the Chinese Calligraphy Association, signed “Lingnan Spring View” and General Li Qianyuan, wrote “Praise of the New Era”, Zhang Hai, former chairman of the Chinese Calligraphy Association, wrote congratulations, Chen Yongzheng, former vice chairman of the Chinese Calligraphy Association, and prefaced the works of Western Chinese writings by members of the Academic Committee of the Chinese Calligraphy Association. Guangdong TV also specially recorded a special film “Li Yuandong’s Calligraphy Art” and gave a comprehensive and multi-angle push display of this event. It can be seen that the exhibition has a great masterpiece and a clear orientation of poetry and calligraphy, which is of great inspirational significance at the moment.
There are nearly 100 works exhibited in this exhibition, in various forms, either in two-meter-long books, or in a simple sketch, or indiscriminate running scripts, or quiet Wei steles. They fully display the allusions and couplets of General Secretary Xi Jinping’s Jin Yan, and Li Yuandong’s praise of the spirit of the new era, Cinema 1950 witch cloth draw to show the style of the new era and describe the magnificent rivers and mountains. This exhibition comprehensively demonstrates Li Yuandong’s unremitting exploration in interpreting classics, poetry, songs, calligraphy creation, etc.
Li Yuandong, as a well-known calligrapher in Lingnan who is active in the country, studied under Wang Chucai, Ou Guangyong, Sun Boxiang and others. Over the past 30 years, he has done a lot of effective work in calligraphy creation, talent training, public welfare and benefiting the people, and has made important contributions to Guangdong’s literary and artistic undertakings. He is a literary and artistic worker and calligrapher with outstanding comprehensive literacy in the contemporary Chinese calligraphy world.
This exhibition ends on May 5th.
Regular script 120cm×120cm
On Kang Youwei Interpretation:
A dream of the bus, and the 100-day Reform Movement will be gone to Maicheng. The lush trees are passed down through the world, and the sound of the cold year is alone.
The book of Datong has a high meaning, and the art boat conveys the retro love. Whoever discusses the light of the South China Sea? Right and wrong, merit and demerit will be clearly distinguished.