The plan for the year lies in spring. There are countless paintings on the themes of scenery, scenery, folk customs, daily life related to spring and the Spring Festival in Komiks 1960 witch cloth draw. “The Wind of Benefits and Winds – Painting Exhibition on Spring Themes of Ming and Qing Dynasties” was exhibited at the China Painting Pavilion on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021. The exhibition specially selected a large number of works related to spring, including the ancients’ themes of welcoming spring blessings, yelling spring elegant meetings, and enjoying spring happiness from the Ming and Qing Dynasties paintings collected by Guangzhou Art Museum and Guangdong Provincial Museum.
This exhibition exhibited more than 50 treasures of Ming and Qing paintings, more than half of which were Komiks 1960 witch cloth draw and a second-level cultural relic.
Tao Yuanming’s poetic design (partial) (Qing Dynasty) Huang Bi
Business: Ancient paintings Komiks 1960 witch cloth drawThe spring written by the family
Hundreds of flowers bloom, spring plowing and grazing, and literati and scholars’ outings and spring gatherings… The works exhibited this time strive to Babaylan 1990 clothes drawFrom customs, scenery, etc., it shows the prosperous spring of ancient painters’ writings.
The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties.
The second part of the exhibition is “Yangchun Elegant Meeting”, which displays works by ancient literati on the theme of spring outings and cultivation.
Since ancient times, it has been popular to go out for outings in early spring, and to hold sauna activities on the Shangsi Festival in late spring in March. The “Lanting Xiucai” and other elegant gatherings that evolved from folk swearing activities injected elegant atmosphere into this festival. Wang Xiyi of the Eastern Jin Dynasty Cinema 1950 witch cloth drawThe ancient “Preface to Lanting” made “Lanting XiuhuaBabaylan 1990 clothes draw” and “Qu Shui Liushang” a unique theme in Chinese paintings that express spring scenery.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and landscapes as exhibits, presenting the spring scenery depicted by ancient painters.
The Northern Song Dynasty painter Guo Xi believes that due to the different weather conditions of wind and rain and weather, the mountains and forests written by the painter should also have different weather conditions. The spring breeze is warm and the spring light is swaying, making people feel comfortable both physically and mentally. Looking at things with emotion, the characters that appear in this kind of picture should also be happy and harmonious. They either go outings, go fishing, cross the water, go back to herds, or plowing, forming a unique picture of spring.
The Yearly Dynasty Picture (Qing Dynasty) Yonghuang
The Yearly Dynasty’s offerings: entrusting the vision of a better life
The ancient Spring Festival included Nuo sacrifices, dust sweeping, banquets, ancestor worship, peach talismans, and door gods. Therefore, the “Sui Dynasty Picture” in traditional Chinese paintings always cannot be separated from content such as farewell to the old and welcome the new, exorcising evil and eliminating disasters, worshiping gods and ancestors, praying for the years and blessings.
The “Sui Dynasty” is the first day of the Lunar New Year. As a work in response to this season, painters often use fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other objects into paintings. These ornaments often placed on the desk are called “clear offerings” to pray for blessings and welcome good fortune.
Ju Lian’s “Qing Qing Dynasty Pictures” uses fruits and flowers that symbolize harmony and auspiciousness to add a festive atmosphere. Babaylan 1990 cloth draw at the same time, in the name of “Qing Gong”, Komiks 1960 witch clothes draw pray for blessings and express their wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, “Sui Chao Tu” by Yongying, the sixth son of Qianlong, is a more special piece in the exhibition’s “Sui Chao” theme, depicting the scenery and scenery of the Northern Sui Chao period. Although the picture looks colder, it implies “Auspicious snow indicates a good harvestBabaylan 1990 cloth draw” peaceful meaning.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Julian
Traveling around in the mountains and rivers: the “Peach Blossom Land” full of fireworks
“The Peach Blossom Land” is one of the representative works of Tao Yuanming, a famous writer of the Eastern Jin Dynasty, and is also a creative theme that painters of all dynasties enjoy.Cinema 1950 witch cloth draw Several works are based on the story of “Peach Blossom Land”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, sketches that cut through wonderful clips from the story, and landscape paintings that create out of the text and extend the artistic conception of “Peach Blossom Land”. Among them, Huang Bi’s “Poetics of Tao Yuanming” is a relatively complete reproduction of the work of “Peach Blossom Land”. This work shows the differences in poetry and essays in segments through the form of a long scroll. 1950 witch cloth draw scene. The whole work is arranged in a regular and rigorous manner. Each plot is separated by a large rock in the close-up, and it cleverly divides different parts of the story. The brushwork is neat and delicate, and the colors are elegant. Although Huang Bi painted the “Peach Blossom Land”, the peach blossoms do not account for a large proportion like other paintings of the same title, and only appear as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the fireworks of the world, making this work without a distant fairy spirit and makes people feel more intimate.
In addition, this exhibition also exhibits the heavyweights of Jiangsu, Zhejiang, Guangdong and other places in the Qing Dynasty. href=”https://comicmov.com/”>Babaylan 1990 cloth draw Spring landscape paintings created by painters. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting styles were diverse and skillful.He is both fine and extensive, and is good at painting various subjects such as characters, landscapes, flowers and birds. This exhibition displays the Komiks 1960 witch cloth draw‘s “Spring Tour in the Green Deep Mountains” in Cinema 1950 witch cloth draw, which depicts the scene in the Taohua Creek area of Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water is green among the flowers. I don’t look for the source because of the fishing boat, and I will try to know the immortals (home) to escape from the world. The green rain Komiks 1960 witch cloth draw flowing clouds and jade caves, and the sun is protecting the jade platform. The old couple in the mountains made an appointment, and asked me to come back to the spring with wine.” This work by the painter borrowed the allusion from the “Peach Blossom Spring” to describe the scene of the Taohua Stream in Luofu Mountain in the spring.
[Reporter’s Notes]
The library has a good collection and better exhibition
After experiencing the extremely extraordinary Cinema 1950 witch cloth drawA year later, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to be relocated, held the Ming and Qing dynasties Spring Painting Exhibition as its first exhibition at the beginning of the year with the theme of “Spring”. It is of great significance.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes itself and its brotherly mechanisms to construct the fine works of paintings from the Ming and Qing dynasties.
The current exhibition format is increasingly focusing on experience, and for this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
Babaylan 1990 cloth drawIn the era of multimedia, content is still king. Whether in the professional field or in the eyes of the exhibition, the core elements of the exhibition are still exhibits and curation. The exhibition party’s interpretation and knowledge production of exhibitors. </The predecessor of the Guangzhou Cinema 1950 witch cloth draw Art Museum was one of the earliest art museums in New China in 1957–Guangzhou Art Museum. The site of the Guangzhou Art Museum is the famous Zhongyuan Building, which was originally located on Yuexiu Mountain. It was later moved to the current site of the Guangzhou Art Museum on the foot of Baiyun Mountain in the northern part of the city at that time. The main collection of the Cinema 1950 witch cloth draw is a donation from a group of important predecessors from the Lingnan cultural circle. It is also these batches of donations and collections that have made the treasures and treasures of the Guangzhou Art Museum a gathering of treasures and treasures, becoming an indispensable corner of the Guangzhou urban cultural map.
In recent years, large institutions such as Guangdong Public Museums and Art Museums have achieved many remarkable results in the excavation and research of collections, and are at the forefront of the country and are eye-catching. We must have a good collection and a good exhibition to serve the public. Collection research and display is one of the biggest differences between public institutions and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: letting more people see the museum’s collections is the greatest patriotism.