The plan for the year lies in spring. There are countless paintings on the themes of scenery, scenery, folk customs, daily life, etc. that have been related to spring and the Spring Festival in the past dynasties. “The Wind of Benefits and Winds – Painting Exhibition on the Spring Themes of Ming and Qing Dynasties” was exhibited at the China Painting Museum of All Times on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021. The exhibition specially selected a large number of works related to spring, including the ancients’ themes of welcoming spring blessings, yelling spring elegant meetings, and enjoying spring happiness from the Ming and Qing Dynasties paintings collected by Guangzhou Art Museum and Guangdong Provincial Museum.
This exhibition displays more than 50 rare paintings of Ming and Qing Dynasties, and half of them are first and second-level cultural relics.
Tao Yuanming’s poetic design (partial) (Qing Dynasty) Huang Bi
Business: Ancient paintingsKomiks 1960 witch cloth drawThe spring written by the master
Hundreds of flowers bloom, spring plowing and grazing, and literati and scholars’ outings and spring gatherings… The works exhibited this time strive to focus on customs, scenery, and style from customs, scenery, and style. 1990 cloth drawScenery and other aspects show the prosperous spring of ancient painters.
The first part of the exhibition Babaylan 1990 clothes draw is divided into “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties. The second part of the exhibition is “Yang Chun Elegant Meeting”, which displays works by ancient Komiks 1960 witch cloth drawliterati’s theme of spring outings and cultivation.
Since ancient times, Cinema 1950 witch cloth draw has been popular for outings in early spring, and for snooping activities are held in the Shangsi Festival in late spring. The “Lanting Cultivation” and other elegant gatherings that evolved from folk sacrificial activities are for thisThe festival is infused with elegant mood. The “Preface to Lanting” written by Wang Xizhi of the Eastern Jin Dynasty made “Lanting Xiuhua” and “Qushui Liushang” unique themes in Chinese paintings that express spring scenery.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This Komiks 1960 witch cloth draw part of this Komiks 1960 witch cloth draw mainly uses spring flowers and landscapes as exhibits, presenting the spring scenery depicted by ancient Babaylan 1990 cloth draw painters.
The Northern Song Dynasty painter Guo Xi believed that due to the different wind and rain and the morning and evening seasons, the mountains and forests written by the painter should also have different atmospheres. The spring breeze is warm and the spring light is swaying, making people feel comfortable both physically and mentally. Looking at things with emotion, the characters that appear in this kind of picture should also be happy and harmonious. They either go outings and go outings, sing fishing, crossing the water, or returning to pastures. They either make up a unique picture of spring.
Yuan Dynasty Picture (Qing Dynasty) Yonghuang
Yuan Dynasty Qing DynastyBabaylan 1990 clothes drawIn ancient Spring Festival, there were customs such as Nuo sacrifices, dust sweeping, banquets, ancestor worship, peach talismans, and door gods. Therefore, the “Yuan Dynasty Picture” in traditional Chinese paintings always cannot be separated from content such as farewell to the old and welcome the new, exorcising evil and eliminating disasters, worshiping gods and ancestors, praying for the years and blessings.
The “Sui Dynasty” is the first day of the Lunar New Year. As a work in response to this season, painters often use fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other objects into paintings. These ornaments often placed on the desk are called “clear offerings” to pray for blessings and welcome good fortune.
Ju Lian’s “Qing Gongshu Pictures” uses fruits and flowers that symbolize harmony and auspiciousness to add a festive atmosphere. At the same time, pray for blessings in the name of “Qing Gongshu” to express his wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, and show the Cinema 1950 witch cloth drawA peaceful New Year atmosphere. Cinema 1950 witch cloth drawFor example, “The Sui Dynasty Picture” by Yongying, the sixth son of Qianlong, is a more special piece in the exhibition “Babaylan 1990 cloth drawSui Dynasty”, which depicts the scenery and scenery of the Northern Sui Dynasty. Although the picture looks cooler, it implies the peaceful meaning of “Auspicious snow indicates a good harvest”.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Julian
Traveling around in the mountains and rivers: the “Peach Blossom Land” full of fireworks
The Peach Blossom Land” was a famous writer in the Eastern Jin DynastyBabaylan 1990 clothes drawThe famous writerKomiks 1960 witch clothes drawTao Yuanming’s representative works are also a creative theme that painters of all dynasties enjoy. Several works in this exhibition are based on the story of “Peach Blossom Land”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, sketches that produce wonderful clips from the story, and landscape paintings that break out of the text and extend the artistic conception of “Taoyuan”.
Among them, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “The Book of Peach Blossoms”. This work shows different scenes in the poem in paragraphs through the form of a long scroll. The layout of the whole work is neat and rigorous. Each plot is separated by a large rock in the close-up, and it cleverly divides the different parts of the story. The brushwork is neat and delicate, and the colors are elegant.
Although Huang Bi painted “Peach Blossom Land”, peach blossoms did not account for a large proportion like other paintings of the same title, and only appeared as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this work without the unattainable fairy spirit and making people feel more intimate.
In addition, this exhibition Komiks 1960 witch cloth draw also exhibits spring landscape paintings created by important painters in Jiangsu, Zhejiang and Guangdong in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting styles are diverse, fine and extensive, and he is good at painting various subjects such as figures, landscapes, flowers and birds. The “Spring Picture of the Green and Green Deep Mountains” exhibited in this exhibition depicts the scene of the Taohua Creek in Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water among the flowers is greener than the moss. Don’t seek the source because of fishing boats, and try to know the immortals (family) and avoid the world. The green rain flows through the clouds and the jade cave, and the sun protects the jade platform. I made an appointment with my old couple in the mountains and asked me to come back to have a drink in spring. “Showing that the painter’s work borrows the allusion from the “Peach Blossom Land” and describes the scene of the Painting in Taohua Creek in Luofu Mountain in spring, which is like a paradise.
[Records of Cinema 1950 witch cloth draw Notes]
HouseCinema 1950 witch cloth drawHide well, and the exhibition is even better
After an extremely extraordinary year, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to relocate, holds the Ming and Qing Spring Painting Exhibition as its first exhibition at the beginning of the year with the theme of “Spring”, which is of great significance.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes the fine paintings of the Ming and Qing Dynasties collected by itself and its brother institutions.
The current exhibition formats are increasingly paying attention to experience. For this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
In the era of multimedia, content is still king. Whether in the professional field or in the eyes of the exhibition public, the core elements of the exhibition are still the exhibition and the curator’s interpretation and knowledge production of exhibits.
<a The predecessor of Guangzhou Art Museum is one of the earliest art museums in New China in 1957 – Cinema 1950 witch cloth drawGuangzhou Art Museum. The site of Guangzhou Art Museum is famous on Yuexiu Mountain.The Zhongyuan Building was built, and later moved to the current address of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the northern part of the city. The main collection of Komiks 1960 witch cloth draw is a donation from a group of important predecessors from the Lingnan cultural circle. It is also these batches of donations and collections that have made the treasures and treasures of the Guangzhou Art Museum a gathering of treasures and treasures, becoming an indispensable corner of the Guangzhou urban cultural map.
In recent years, large institutions such as Guangdong Public Museums and Art Museums have achieved many remarkable results in the excavation and research of collections. They are at the forefront of the country and are eye-catching. There must be a good collection and a good exhibition. Collection research and display is one of the biggest differences between public institutions and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: letting more people see the museum’s collections is the greatest patriotism.