The plan for the year lies in spring. There are countless paintings on the themes of “Hui Feng HechangKomiks 1960 witch cloth draw and Spring Festival related scenery, scenery, folk customs, daily life, etc., “Hui Feng HechangBabaylan 1990 clothes draw – Painting Exhibition on the Spring Themes of Ming and Qing Dynasties” was exhibited at the Chinese calendar on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021 at the Chinese calendar on the first floor of the Guangzhou Museum of Art. The exhibition specially selected a large number of works related to spring, including the ancients’ themes of welcoming spring blessings, yelling spring elegant meetings, and enjoying spring happiness from the Ming and Qing Dynasties paintings collected by Guangzhou Art Museum and Guangdong Provincial Museum.
This exhibition exhibited more than 50 treasures of Ming and Qing Dynasty paintings, more than half of which were first- and second-level cultural relics.
Tao Yuanming’s poetic plan (partial) (Qing Dynasty) Huang BiBabaylan 1990 cloth draw
Business is abundant: Spring written by ancient painters
Hundreds of flowers bloom, spring plowing and grazing, and literati and scholars’ outings and spring collection…The works exhibited this time strive to show the prosperous business written by ancient painters in terms of customs, scenery, and other aspects. href=”https://comicmov.com/”>Cinema 1950 witch cloth drawSpringBabaylan 1990 cloth drawday.
The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties.
The second part of the exhibition is “Yangchun Elegant Meeting”, which displays works by ancient literati on the theme of spring outings and cultivation.
Since ancient times, it has been popular to go out for outings in early spring, and to hold sauna activities on the Shangsi Festival in late spring. The “Lanting Cultivation” and other elegant gatherings that evolved from folk sacrificial activities are for thisThe festival is infused with elegant mood. The “Preface to Lanting” written by Wang Xizhi of the Eastern Jin Dynasty made “Lanting Xiuhua” and “QuBabaylan 1990 cloth drawShuiliu Shang” a unique theme in Chinese paintings that express spring scenery.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and landscapes as exhibits, presenting the spring scenery depicted by ancient painters.
The Northern Song Dynasty painter Guo Xi believed that due to the different wind and rain and the morning and evening seasons, the mountains and forests written by the painter should also have different atmospheres. The spring breeze is warm and the spring light is swaying, making people feel comfortable both physically and mentally. Looking at things with emotion, the characters that appear in this kind of picture should also be happy and harmonious. They either go outings, go fishing, cross the water, go back to herds, or plowing, forming a unique picture of spring.
Year-Chorus Divine Map (Qing Dynasty) Yonghuang
Year-Chorus Divine Map: Conveying the Vision of a Better Life
Babaylan 1990 cloth drawThe ancient Spring Festival included Nuo Festival, sweeping dust, banquets, worshiping ancestors, changing peach talismans, and sticking door gods. Therefore, the “Babaylan 1990 Cloth drawThe Year Dynasty Picture is always inseparable from content such as bidding farewell to the old and welcoming the new, exorcising evil and eliminating disasters, worshiping gods and ancestors, praying for years and blessings. “Sui Dynasty” is the first day of the Lunar New Year. As a work in response to this season, painters often use fruits and vegetables, immortals, flowers, auspicious grass, beautiful utensils, strange stones and other items into paintings. These ornaments often placed on the desk are called “clear offerings” to pray for blessings and welcome good fortune.
Ju Lian’s “Qing Qing Dynasty Picture” uses fruits and flowers that symbolize harmony and auspiciousness to add a festive atmosphere. At the same time, pray for blessings in the name of “Qing Gong”, expressing wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, “Sui Chao Tu” by Yongying, the sixth son of Qianlong, is a more special piece in the exhibition’s “Sui Chao” theme, depicting the scenery and scenery of the Northern Sui Chao period. <a href=Although the picture looks clearer and cold, Komiks 1960 witch cloth draw is cold, it implies the peaceful meaning of "Auspicious snow indicates a good harvest".
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Ju Lian
Traveling around in the mountains and rivers: the “Peach Blossom Land” full of fireworks
“The Peach Blossom Land” is one of the representative works of Tao Yuanming, a famous writer of the Eastern Jin Dynasty, and it is also a creative theme that painters of all dynasties enjoyed it. Several works in this exhibition are based on the story of “Peach Blossom Land”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, sketches that produce wonderful clips from the story, and landscape paintings that break out of the text and extend the artistic conception of “Taoyuan”.
Among them, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “The Book of Peach Blossoms”. This work shows different scenes in the poem in paragraphs through the form of a long scroll. The layout of the whole work is neat and rigorous. Each plot is separated by a large rock in the close-up, and different parts of the story are cleverly divided. The brushwork is neat and delicate, and the colors are elegant.
Although Huang Bi painted “Peach Blossom Land”, peach blossoms did not account for a large proportion like other paintings of the same title, and only appeared as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this work without the unattainable fairy spirit and making people feel more intimate.
Cinema 1950 witch cloth drawIn addition, this exhibition also displays spring landscape paintings created by important painters in Jiangsu, Zhejiang, Guangdong and other places in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Cinema 1950 witch cloth drawYuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting styles are diverse, fine and extensive.Good, good at painting various subjects such as characters, landscapes, flowers and birds. The “Spring Tour from the Green Deep Mountains” exhibited in this exhibition depicts the scene in the Taohua Creek area of Luofu Mountain.
The author’s title is the author’s poem Komiks 1960 witch cloth draw Poems: “The peach blossoms bloom countless times on the stream, and the spring among the flowers is green in the moss. The water is green by the moss. Don’t seek the source because of the fishing boat, and strive to know the immortal (home) to escape from the world. The green rain flows and clouds flows into the jade cave. Draw, Danxia hugged the sun to protect the Yaotai. An old couple in the mountains made an appointment and asked me to come back to come to spring with wine. “Showing that the painter’s work borrowed the allusion from the “Peach Blossom Spring” to describe the scene in the Taohua Creek area of Luofu Mountain in spring.
[Reporter’s Komiks 1960 witch cloth draw Notes]
The museum has a good collection and a better exhibition
After an extremely extraordinary year, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to be relocated, takes “Spring” as its theme and holds the “Ming and Qing Spring Painting Exhibition” as its first exhibition at the beginning of the year, which is of great significance.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes the fine paintings of the Ming and Qing dynasties collected by itself and its brother institutions.
The current exhibition format is increasingly focusing on experience, and for this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
The era of multimediaKomiks 1960 witch cloth draw, the Cinema 1950 witch cloth draw is still king. Whether in the professional field or in the eyes of the public, the core elements of the exhibition are still the exhibits and the curator’s explanation of the exhibits.and knowledge production.
The predecessor of the Guangzhou Art Museum is one of the earliest art museums in New China in 1957 – Guangzhou Art Museum. The site of the Guangzhou Art Museum is originally located in the Zhongyuan Building, a famous building on Yuexiu Mountain, and later moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the northern part of the city. Its main collection is donated by a group of important predecessors from the Lingnan cultural circle. It is also the batches of donations and collections that make Guangzhou Art Museum a gathering of treasures and treasures, becoming an indispensable corner of the Guangzhou Urban Cultural Map.
In recent years, large institutions such as Guangdong Public Museums and Art Museums have achieved many remarkable results in the excavation and research of collections, and are at the forefront of the country and are eye-catching. We must have a good collection and a good exhibition to serve the public. Collection research and display is one of the biggest differences between public institutions and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: letting more people see the museum’s collections is the greatest patriotism.