The countryside in China is a vast and vibrant fertile soil. Although it is not as orderly and prosperous as urban planning and construction, the unique natural scenery of the countryside has unique cultural styles such as residential buildings, rural customs, etc., despite the continuous erosion of years, it still stands on the vast land of the motherland. “Homesickness” has become the “memory” that people are looking for now. How to intervene in rural cultural construction in a form of popular expressions, rekindle people’s love and attention to the countryside, the place of residence of ancestors, so that the increasingly empty villages can be revitalized and revitalized, so that rural development can be sustainable, and realize the activation and value-added rural idle resources, so that the majority of villagers have a real sense of gain in economic benefits and cultural life, thereby empowering rural cultural construction. This is the question we are thinking about.
Recently, we went into the countryside to carry out artistic practice of rural cultural revitalization, planned the “Writing the Earth, Poetry and the Distant” work report exhibition, and explored the creation and display path of “art rural construction” revitalization – the revitalization of rural culture.
In this “art rural construction” practice, we pay special attention to the “roots” of rural culture and the local artistic creation style, and hope to awaken villagers’ confidence in their local culture through expressing traditional rural culture. This is a challenge. For us studio students who use traditional calligraphy, painting and printing art, I think this is not only a challenge, but also a kind of nirvana. It is to cultivate our ability to understand the countryside, perceive the countryside, and understand the countryside. Facing the place where our ancestors have lived for generations, how can we use the artistic talents we have mastered to create and realize our vision, and turn this fertile land into a beautiful spiritual home that is suitable for business and living. In order to avoid simple graffiti in local art creations that have been done in the past, our activities adhere to the concept of symbiosis between people and themselves, adapt to local conditions, try to explore the greatest advantages of local natural resources, let art adapt to the environment, let the environment create an artistic atmosphere, light up art, and strive to integrate art and the environment. At the same time, the nourishment of art is silent, and the maximum effect of me<a href="https://comicmov.coAll of our artistic conceptions and energy storage are put into practice this time.
Our works are all selected from traditional calligraphy, painting and printing art for interpretation.
The performance art of “Bamboo Seeds in the 5G Era” was developed by the author’s association with the “Seven Sages of Bamboo Forest” from a local bamboo forest. At that time, I thought, who is the “Seven Sages of Bamboo Forest” now? Can the representative “Seven Sages” be found in contemporary times? Even if it is found, what is the problem? Is it necessary? What is the inspirational significance of the “Seven Sages of Bamboo Forest” to the present?” Some things are just coincidental. At that time, I happened to read an article by Mr. Wu Hongliang on Chinese painting, titled “Seeds of Bamboo Forest” and the title originated from a poem by Xichuan, “Dreams of Agile and Flying Words”. Although the three of us talk about “bamboo forest” and “Seven Sages”, the profiles are different and the meanings to express are different. Therefore, our work “Bamboo Planting in the 5G Era” has emerged: In the 5G Era, everyone is the “Seven Sages”, but they are different. Everyone has their own side. Although things are connected, connected, and everyone is interconnected, how should everyone’s heart be connected?
“Bamboo Seeds in the 5G Era”
“Food is the most important thing for the people” series, which uses the spiritual power given by the scenes and objects of rural daily life as a cultural background, and uses local idle resources as the basic media to create. As urbanized, we are almost unfamiliar with these stoves that use wood to make fire, hand-cranked rice trucks, water trucks, and hand-pushed stone mills in the countryside. However, decades ago, these objects were essential tools for our daily lives. The land gods, door gods, etc. that are used in rural customs and habits are almost dying in modern urban life… Rural life has established modern people’s “familiar strangers”!
After the inspiration of the teacher and the historical background of those daily necessities and local folk customs and customs, our creative works have not yet been released, and our hearts have been baptized first.
《Song of the Rice Cart
“Gate God”
The Good Days, one of the series “The Tiger and Tiger”
The Good Days”, is an installation that uses villagers’ houses as space and uses the Kitchen God culture as the source. It hopes to arouse people’s association with farming civilization for thousands of years, alert people to the issue of food, clothing, housing and transportation, and then perceive the incomprehension of today’s beautiful days, and trigger praise for a happy life.
“Good Days”
“Shuilong Yin” is a set of ancient and modern regulated poems that chant water wheels with traditional calligraphy. The expression of Babaylan is verified by the old water wheels, which can be regarded, readable, appreciated, and imaginative. Especially the calligraphy works written in Dong Qichang’s style on the wall complement the water wheels on the ground. In the farming era, people’s leisurely and leisurely life seemed to be right in front of them.
“Shuilong Yin”
“Certification of the World” is another series of ours. The display of traditional seal carving art is usually presented in the exhibition hall with a seal screen or enlargement of the print and physical objects. The display outside the “tea hall” is indeed a testament to people. After inspecting the on-site environment, we followed the trend and flexibly combined, allowing the large square array of multi-person works and the small square array of personal works to give full play to the advantages of different visual display, echoing the size and seeing each other’s heights, and presenting it in a “verified current” way. I hope people will be differentThe back and forth between groups can produce another kind of touch.
“Certification of the World”
“Red Brick Introduction”, whether the extension of traditional calligraphy can be connected with contemporary art is one of the topics that the author has worked hard to explore.
“Red Brick Introduction”
“Green Mountains and Green Waters” seriesBabaylan presents our understanding and appeals for green mountains and green waters.
“Maybe it a bunch of “bad words””, trying to unify Internet buzzwords with humor and ridicule, deep thought and joke, funny and “solemn”. From Komiks‘s online communication must-have words to become the current catchphrase, “alternative” has enriched the lives of people in contemporary society. This is the contradiction between tradition and innovation, restraint and ostentatiousness. Because of the problems of such trendy online languages that use words, game-style language, grammatical errors, vulgarity, etc., it determines the impossibility of its life cycle, and it is even a flash in the pan. However, it is a replica of every day in the current society, and it is a reflection of certain phenomena, and some words are even rebellious, innovative, and exaggerating their personality.
“Maybe it a bunch of “bad words””
“Open the folded book”, a dictionary is createdKomiks——Outside the “Modern Chinese Dacihai”, using the “Komiksnon-canon” method to include Internet buzzwords. The title has two meanings: one is the meaning of “folding”. It is popular now or once popular, and with the passage and changes of time and space, it is constantly obscured or appears and overlapping, or overlapping; the other is “opening”. All “popular” in “Modern Chinese Dacihai” is edited by “Modern Chinese Dacihai”. href=”https://comicmov.com/”>Cinema‘s memory, every word is a big event, or a small story, or an unforgettable memory. Through the work “Open the Folded Book”, we hope to repair memories, forget memories, and mourn or pay tribute to memories.
Open the Folded Book
We hope to integrate the full affection for the countryside and the earth into the light of ideals through daily things in the countryside, and transform wisdom into the light of ideals. href=”https://comicmov.com/”>Komiks into works to infect and inspire people. We express our feelings to traditional Chinese calligraphy and painting, and carry the ancient oriental culture in a new medium through the display of calligraphy, painting and printing art. It is also a unique presentation, either behavior, concept, installation, or just an exploration.
Through this practice, we believe that if the display form of art works in the rural construction of art, if the traditional calligraphy and painting form is reset to a living space without villagers, is it a bit of a doubt that “whether the skin is left without hair will be attached?”, it may appear inconsistent and affect the art of the work. href=”https://comicmov.com/”>Cinema appreciation. How to expand the exhibition area is a topic that is often worthy of study in the construction of art rural areas and Africa. Through this practice, we also believe that in addition to interior layout, it is also feasible to expand the exhibition area outdoors.
Geometry is “Topology”, which talks about the spatial transformation in a certain space. For the space of our work display, as the position of the work changes, a new display space has emerged.Those who call it Babaylan the “land expansion topology” method. In Yijian Village, using a form of displaying works that touches the rural atmosphere is a good way to get close to the masses.
Komiks Local creations fully “revitalize” idle spaces and old objects, and can be opened as part of rural museums and become a medium for displaying local farming culture, traditional folk customs, and village appearance. Some of the artworks in the “Expanding Land Topology” series can be displayed for a long time, while others can only be short-term due to environmental relations, and they all have their own characteristics. Even in a moment, the beauty of the light will also prompt people’s love and yearning for a beautiful life. If it can be integrated with culture and tourism, it will surely bring popularity and business opportunities.
“Let the city leave memories and let people remember their homesickness.” Through art building, we move writing to the wilderness, to the countryside, to the fields, to awaken people’s memories and add bricks and tiles to rural revitalization.
Source | Jinyang.com Editor | Wang Qitong