Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when people from Fenglou left, and since then, the rich people are lonely and cover the setting sun.” Chen Baoying, a female actor in the Cantonese opera “Purple Phoenix Tower”, sings the words of Chen Baoying, as if she was crying and complaining, and the audience applause was thunderous. On the evening of September 8, nearly a thousand audiences were crowded with Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, was being held here. The master of Zistu, Teacher Tan Peiyi, also visited in person. Li Yueling and his disciples hope to promote the Cantonese opera culture in their own voices Komiks 1960 witch cloth draw to carry forward Lingnan culture.
For this performance, Li YuelingCinema 1950 witch cloth draw and her disciples prepared for half a year. Behind this performance is the cultural confidence and totem of Guangdong rhyme flowing in the blood of a Cantonese singer. This performance is the spiritual agreement between a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music. What kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
Show scene
Seeking dreams, and the origin of CUHK
In 2009, Guangdong musical song singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at Sun Yat-sen University was established.
The following year, the studio opened a Cantonese Opera and Cantonese Opera workshop for students at the school. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese Opera and Cantonese Opera and improve their perceptual understanding of Cantonese Culture. The workshop hopes that more young people can join the ranks of understanding Cantonese Opera and Cantonese Opera and Chinese traditional culture.
As soon as the workshop started, it quickly attracted a large group of young people with similar aspirations from major universities. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the sequel score, let alone pronunciation or rhyme. From voice lifting to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch.
The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. April 17, 2011, Cantonese Opera MasterThe female teacher in Red Line even came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students practicing singing “The Fenge of Revenge” and “The Farming Fields of Flowers”, but also gave suggestions on improving their words, singing style, and feelings, and sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops and brothers such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special event held so far. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school. Time flies, and in a blink of an eye, the students have graduated and entered society and started working. Unlike students from Cantonese opera or art majors, students in the seminar have left the original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they Komiks 1960 witch cloth draw slowly put aside the study of Cantonese opera, and had not sang a song for several months or even a year.
“As the saying goes, ‘The fist is always inseparable from the hand and the mouth’, if this continues, the students will definitely forget what they have learned before.” Every time Li Yueling chats with students Babaylan 1990 clothes draw, she feels emotion. She often thought: “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private friendsBabaylan 1990 cloth draw Bureau asked students to start the game from time to time. Later, in order to ensure that the students could start the game once every month, achieving the goal of practicing. She went to the Beijing Street Cultural Station to find webmaster Zhao Yuhua and chatted with webmaster Zhao that she was deeply worried about the loss of skills of these students. Zhao YuCinema 1950 witch clothes DrawWorker Hua was very moved when he heard that there were such a group of young people who loved Guangdong Babaylan 1990 clothes draw songs, and immediately arranged for Li Yueling to meet with Chen Jinglin, the leader of the folk art troupe of the Guangzhou Cultural Hall in Beijing Street to discuss the students’ practice.
In order to facilitate everyone to practice music, the Cultural Hall changed the starting time from Monday to Friday, and closed the rest system on weekends. It specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implemented the venue for the monthly start, she assigned the task of each song to learn a song for each person, hoping to use pressure Babaylan 1990 clothes draw drives students to take the time to learn the song. Every time the student starts, Li Yueling will come to the scene no matter how busy she is, listen carefully to each student’s singing, and helps them analyze and improve word by word after listening.
In addition, Li Yueling also invited her master, “Zi Lao Wang”, to participate in the students’ private affairs. Teacher Tan Peiyi not only shared the creation process of her first famous song “Cai Wenji Returns to Han”, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, giving students great encouragement.
Show live
Play dreams, they transformed into Cantonese opera and Cantonese opera communication messengers
In addition to teaching students to sing, Li Yueling also pays great attention to exploring students’potential. For students with artistic talent, she would encourage them to learn Cantonese accompaniment instruments and play the pedal board. She hopes that after they have finished learning, they can form their own accompaniment band, which can be used as accompaniment band. She can integrate singing and accompaniment; for students with writing skills, she encourages them to write lyrics. Under her earnest teachings, many Komiks 1960 witch cloth draw students have made breakthroughs, stepped onto different art stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera and turn you into die-hard fans of Cantonese opera, but from the perspective of inheritance and communication, I hope you can one day alsoKomiks 1960 witch cloth draw take the initiative to shoulder the importance of spreading Cantonese opera and Cantonese opera culture. Draw. Let more people know Cantonese opera and like Cantonese opera. “
The Cantonese students of Li Yueling back then have now become teachers on the podium. They will combine their own class content and use Cantonese opera as class material at the right time, so that the children can accept Cantonese opera subtly. Some people joined the bank and added a special Cantonese opera and Cantonese opera in the bank’s feedback activity, which gave many customers who never entered the theater to come into contact with Cantonese opera for the first time and became enthusiasts…
Under the words and deeds of Teacher Li Yueling, the students consciously took the spread of Cantonese opera as their obligation. They did not have any great deeds, but they used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people Komiks 1960 witch cloth draw.
Realize your dreams, they transform into messengers of love. Cinema 1950 witch cloth draw
Li Yueling often says: “We have received strong support from many groups along the way and the help of enthusiastic people. We must learn to be grateful. In addition to learning Guangdong Opera, in addition to you can entertain yourself, I hope you can bring more people happiness with what you have learned.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the “Belt and Road” charity exhibition on the inheritance of Guangdong folk art. Chen Zhongyan and Li Cinema 1950 witch cloth draw Yueling personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 scenes for free to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture and enrich the cultural life of local residents.
Li Yueling is a music artist who regards the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples are the batters who make the Guangdong rhyme reverberate in the new era.