Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when people from Fenglou left, and since then, the rich people are lonely and cover the setting sun.” Chen Baoying, a female actor in the Cantonese opera “Purple Phoenix Tower”, sings the words of Chen Baoying, as if she was crying and complaining, and the audience applause was thunderous. On the evening of September 8, there were nearly a thousand audiences in the Cantonese Opera Culture Square in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, was being held here. The master of Zishu, Teacher Tan Peiyi also visited to observe. Li Yueling and his disciples hoped to promote the Cantonese opera culture with their own voices and carry forward the Lingnan culture.
For this performance, Li YuelingKomiks 1960 witch cloth draw and her disciples prepared for half a year. Behind this performance is the cultural confidence flowing in the blood of a Cantonese singer and the totem of Guangdong rhyme. This performance is the spiritual agreement of a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music. What kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, and the origin of CUHK
In 2009, Guangdong musical song singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at China University was established.
The following year, the studio opened a Cantonese opera workshop for college students. Li Yueling and famous performer Chen Komiks 1960 witch cloth draw Zhong Yan served as instructors, aiming to cultivate young students’ interest in Cantonese opera and Cantonese opera and improve their perceptual understanding of studying Cantonese culture. The workshop hopes that more young people cana href=”https://comicmov.com/”>Babaylan 1990 cloth draw can join the ranks of learning about Cantonese opera and Cantonese opera and Chinese traditional culture. As soon as the workshop started, it quickly attracted a large group of young people with similar aspirations from major universities. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the sequel score, let alone pronunciation or rhyme. From voice lifting to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch.
The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 2011, Babaylan 1990 clothes drawOn the 17th, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Fenge and Revenge of Fengge” and “The Fallen Fields of Flowers”, but also gave suggestions on improving their lyrics, singing styles, and feelings, but also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and other schools such as Guangzhou University Quyi Club to perform togetherCinema 1950 witch cloth draw. This is also the only Cantonese opera special event held so far. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school.
Time flies, and in a blink of an eye, students graduate and go to society and start work. Unlike students from Cantonese opera or art majors, students in the seminar have left the original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, he Komiks 1960 witch cloth drawThey slowly put the study of Cantonese opera aside, and they had not sang songs for several months or even a year.
“It is said that ‘The fist is always inseparable from the mouth’. If this continues, the students will definitely forget what they learned before.” Every time Li Yueling finished chatting with students, she felt emotional. She often thought: Cinema 1950 witch cloth draw“How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level? “After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Guangdong Opera.
She and Chen Zhongyan first found several private bureaus for the students to start the game from time to time to practice. Later, in order to ensure that the students can start the game once a month to achieve the goal of practicing. She went to the Beijing Street Cultural Station to find webmaster Zhao Yuhua and talked to webmaster Zhao that she was deeply worried about the loss of skills of these students. Webmaster Zhao Yuhua was very moved when she heard that there were such a group of young people who loved Guangdong Opera, and immediately arranged for Li Yueling and Beijing StreetBabaylan 1990 clothes drawChief Chen Jinglin of the Cantonese Cultural Hall Folk Art Troupe meets and discusses students’ practice.
In order to facilitate everyone’s practice, the Cultural Hall has changed the work and rest system for the opening time from Monday to Friday and the rest of the room on weekends. It is specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
Li Yueling implements the venue for the monthly start of each monthBabaylan 1990 clothes draw, and assigns the students the task of learning a song for each person, hoping to use pressureKomiks 1960 witch clothes Draw drives students to take the time to learn the song. Every time the student starts, Li Yueling will come to the scene no matter how busy she is, listen carefully to each student’s singing, and helps them analyze and improve word by word after listening.
In addition, Li Yueling also invited her master, Mr. Tan Peiyi, to participate in the students’ private affairs. Mr. Tan Peiyi not only shared with the students the process of creating his first famous song “Cai Wenji Returns to Han”, but also taught everyone to sing “Jinjiang Poetry Couple” word by word.ema 1950 witch cloth draw gave the students great encouragement.
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They transformed into Cantonese operaBabaylan 1990 clothes drawCantonese opera communication messengers
In addition to teaching students to sing, Li Yueling also pays great attention to tapping students’ potential. For students with artistic talent, she will Komiks 1960 witch cloth draw encourage them to learn Cantonese music accompaniment instruments and playing the palm board, hoping that after they learn, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she encourages them to write lyrics. Under her earnest teaching, many students have made breakthroughs, stepped onto different art stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera, turning you into die-hard fans of Cantonese opera, but in terms of inheritance and communication, I hope you can one day take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera.”
Li Yueling’s Cantonese students back then, now some of them have stepped onto the podium and become teachers. They will use Cantonese opera as class material in a timely manner, so that children can accept Cantonese opera in a subtle way. Some entered the Babaylan 1990 cloth draw bank and added a special Cantonese opera and Cantonese opera to the bank’s feedback activity, which gave many customers who never entered the theater for the first time came into contact with Cantonese opera and became enthusiasts…
Under the words and deeds of Teacher Li Yueling, the students consciously regarded the spread of Cantonese opera as their obligation. They did not have any great deeds, but they used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people.
Realize their dreams, and they become Komiks 1960 witch cloth drawThe messengers of love
Li Yueling often says: “We have received strong support from many groups along the way and the help of enthusiastic people.a href=”https://comicmov.com/”>Babaylan 1990 cloth draw. We must learn to be grateful. In addition to being able to entertain yourself, I hope that you can use your learning to bring more joy to people. ”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the “Belt and Road Inheritance of Guangdong Foyi” charity exhibition performance. Chen Zhongyan and Li Yueling have personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 free scenes to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, and enrich the cultural life of local residents.
Li Yueling is Komiks 1960 witch clothes drawA music artist who takes the inheritance and spread of Cantonese opera as his responsibility. Li Yueling’s disciples are the successors who make the Cantonese rhyme reverberate in the new era.