The countryside in China is a vast and vibrant fertile soil. Although it is not as orderly and prosperous as urban planning and construction, the unique natural scenery of the countryside, the unique cultural styles of the village, the unique village residential buildings, rural customs, etc., have been continuously washed away by the years, and are still standing on the vast land of the motherland. “Homesickness” has become the “memory” that people are looking for now. How to intervene in rural cultural construction in a form of popular expressions, reawaken people’s love and attention to the countryside, the countryside, and reinvigorate the increasingly empty villages, so that rural development can be sustainable, realize the activation and value-added rural idle resources, and enable the majority of villagers to gain a tangible sense of economic benefits and cultural life, thereby empowering rural cultural construction. This is the question we are thinking about.
Recently, we went into the countryside, carried out artistic practice of rural cultural revitalization, planned the “Writing the Earth, Poetry and the Distant” work report exhibition, and explored the creation and display path of rural cultural revitalization – “Art Babaylan 1990 cloth drawRural Construction”.
In this “art rural construction” practice, we pay special attention to the “roots” of rural culture and the local artistic creation style, and hope to awaken villagers’ confidence in their local culture through expressing traditional rural culture. This is a kind of challenge. For us studio students who use traditional calligraphy, painting and printing art, I think this is not only a challenge, but also a kind of nirvana. It is to cultivate our ability to understand, perceive and understand the countryside. Facing the place where our ancestors lived for generations, how can we use the artistic talents we have mastered to create and realize our vision, and turn this fertile land into a beautiful spiritual home that is suitable for business and living. In order to avoid simple graffiti in local art creations that have been done in the past, our activities adhere to the concept of symbiosis between people and themselves, adapt to local conditions, try to explore the greatest advantages of local natural resources, let art adapt to the environment, let the environment create an artistic atmosphere, light up art, and strive to integrate art and the environment. At the same time, the nourishment of art is silent, and all our artistic conceptions and energy storage are put into the greatest extent.This practice.
Our works are all interpreted by traditional calligraphy, painting and printing art.
The performance art of “Bamboo Seeds in the 5G Era” was sprouted by the author’s association with the “Seven Sages of the Bamboo Forest” from a local bamboo forest. At that time, I thought, who is the “Seven Sages of Bamboo Forest” now? Can contemporary times find the representative “Seven Sages”? Even if it is found, what does it mean? Is it necessary? What inspirational significance does the “Seven Sages of Bamboo Forest” have for the present? “Some things are just so coincidental. At that time, I happened to read an article by Mr. Wu Hongliang studying Chinese painting, titled “Source Bamboo in the 5G era”, which originated from a sentence in a poem “Dream of the Flying Words” in Xichuan. Although the three of us talk about “bamboo forest” and “Seven Sages”, the profiles are different and the meanings to express are different. Therefore, our work “Source Bamboo in the 5G era” was born: For the 5G era, everyone is the “Seven Sages”, but not the same. Everyone has a side of everyone Babaylan 1990 clothes draw, although Komiks 1960 witch cloth drawEverything is connected, connected and connected, and everyone is connected, but how should everyone’s heart be connected?
“Bamboo Seeds in the 5G Era”
“Food is the most important thing for people” series, which uses the spiritual power given by rural daily life scenes and objects as cultural background, and uses local idle resources as the basic media for creation. As urbanized, we are almost unfamiliar with these stoves that use wood to make fire, hand-cranked rice trucks, water wheels on foot, and hand-pushed stone mills in rural daily life, but decades ago, these objects were necessary tools for our daily life. The land gods, door gods, etc. of rural customs and habits were almost dying in modern urban life…… Rural life established a “familiar stranger” for modern people!
Through the inspiration of teachers and the era of checking those daily necessitiesAfter the scenery and local customs and customs, the creation of works has not yet been released, and our hearts have been baptized first.
《Song of the Rice Cart》
《Gate God》
The Good Days, one of the series “Tiger and Tiger”
The Good Days”, is an installation that uses villagers’ houses as space and uses the Kitchen God culture as the source. It hopes to arouse people’s association with farming civilization for thousands of years and warn people to pay attention to the issue of food, clothing, housing and transportation, and then feel that today’s beautiful days are hard-won and arouse praise for a happy life.
“Good Days”
“Water Dragon Sound” is a set of ancient and modern regulated verses that sing water wheels in traditional books. Komiks 1960 witch clothes draw‘s expression form is mutually verified with the old water wheels, so as to achieve the ability of Cinema 1950 witch clothes drawview, readable, appreciated, and imaginative. Especially the calligraphy works written in Dong Qichang’s style on the wall complement the water wheel on the ground. The leisurely and leisurely life of people in the farming era seems to be right in front of them.
“Shuilong Yin”
“Certification of the World” is another series of ours. The display of traditional seal carving art is usually presented in the exhibition hall with seal screens or enlargement of the prints and physical objects in the seal body. The display outside the “tea hall” is indeed a testament. After inspecting the on-site environment, we followed the trend and flexibly combined, allowing the large square arrays of multi-person works and the small square arrays of personal works to give full play to the advantages of different visual display, echoing the size and seeing each other in a “verified current” way. We hope that people’s back and forth between different groups can produce another touch.
“Certification of the World”
“Red Brick Introduction”, whether the extension of traditional calligraphy can be connected with contemporary art is one of the topics that the author has worked hard to explore.
“Red Brick Introduction”
“Green Mountains and Green Waters” series presents our understanding and appeals for green mountains and green waters.
“Maybe it a bunch of “bad words””, trying to use the Internet buzzwords to silently use Komiks 1960 witch cloth draw href=”https://comicmov.com/”>Cinema 1950 witch cloth drawThe dialectical unity of jokes, deep thoughts and jokes, funny and “sovereignty”, from the must-have words for online communication to becoming the current catchphrase, “alternative” enriches the lives of people in contemporary society. This is the contradiction between tradition and innovation, restraint and ostentatiousness. Because of the problems of such trendy online languages with word specifications, game-style language, grammatical errors, vulgarity, etc., it determines the possibility of long-term nature of its life cycle, and it is even a flash in the pan. However, it is the revival of every day and every person in today’s society. It is the observation of certain phenomena, and some words are even rebellious, innovative, and exaggerated.
“Maybe a bunch of “bad words””
“Open the folded book”, a dictionary, “Modern Chinese Dacihai”, was compiled externally, using the “non-canon” methodCinema 1950 witch cloth draw included Internet buzzwords. The meaning of this title is Babaylan 1990 cloth draw has two ideas: one is the meaning of “folding”. What is popular now or once popular, and as time and space passes and changes, it is constantly obscured or appears and disappears, or overlaps; the second is “open”. All the “popular” memories in the external compilation of “Modern Chinese Dacihai” are a big event, or a small story, or an unforgettable memory. Through the work “Open the Folded Book”, Komiks 1960 witch cloth draw, I hope to repair memories, forget them, and mourn or pay tribute to memories.
“Open the Folded Book”
We hope to transform our deep affection for the countryside and the earth into our daily objects in the countryside, and transform our wisdom into the light of ideals into works to infect people.Inspire people. We express our feelings to traditional Chinese calligraphy and painting. Through the display of calligraphy, painting and printing art, Cinema 1950 witch cloth draw carries ancient oriental culture with a new medium, which is also a unique presentation, either behavior, concept, installation, or just an exploration.
Through this practice, we believe that if the traditional calligraphy and painting form is reset to a living space without villagers, is it a bit of a doubt that “whether the skin is left without hair will be attached?”, which may appear inconsistent and affect the appreciation of the artistic nature of the works. How to expand the development site is a very worthy topic in the construction of art rural areas. Through this practice, we also believe that in addition to interior layout, it is also feasible to expand the exhibition area outdoors.
There is “Topology” in geometry, which talks about the spatial transformation in a certain space. For the space of our work display, as the position of the work changes, a new display space is born again. The author calls it the “topology of the ground”. In Yijian Village, using a form of display of works that touches the rural atmosphere of Cinema 1950 witch cloth draw is a good way to get close to the masses.
On-local creation, fully “revitalizing” idle spaces and old objects, can be opened as part of the rural Komiks 1960 witch cloth draw museum, becoming a medium for displaying local farming culture, traditional folk customs, and village appearance. Some of the artworks in the “Cinema 1950 witch cloth draw” series can be displayed for a long time, while others can only be short-term because of the environment and environment relationship, and they all have their own characteristics. Even in a moment, the auspicious light will also promote people’s love and yearning for a better life. If they can be integrated with culture and tourism, it will surely bring popularity and business opportunities.
“Let the city Komiks 1960 witch cloth draw city leave memories and let people remember their homesickness.” Cinema 1950 witch cloth draw Through art building, we move writing to the wilderness, moving to the countryside and to the fields is to awaken people’s memories and contribute to rural revitalization together.
Source | Jinyang.com Editor | Wang Qitong